“Evil Dead Wrath. This is yet another great departure. It predates everything. It takes place in 1972,” Tapert said.
Tapert also teased that the film is being designed to look and feel like something from that era.
“It will feel like a 1972 movie because the director and his DP want to imitate the film’s look and feel of something that’s called Ektachrome 100, which was a film stock. Still available, but a film stock. A lot of movies [were] shot on that then. And so it’s very warm, very tungsten.”
Tapert directly contrasted Galluppi’s approach with Vaniček’s Burn, describing two totally different filmmakers operating inside the same universe.
“So, but once again, now, two entirely different filmmakers, one that shoots everything on a 110-millimeter lens handheld, always moving, always shaking, and the other one is very Tarantino-esque, very deliberate. He made a movie, not a horror movie, that I liked a great deal called Last Stop in Yuma County. It’s worth looking up.”
The other surprise is that Wrath may be bringing a coming-of-age angle into the franchise.
“That one, unlike Burn, has a lot of coming-of-age sexual hijinks in it, which people at the universe is not really known for, but this one does. And it goes there, I think.”